Zhou Li*
Wuxi Vocational Institute of Arts & Technology, Yixing, 214206, Jiangsu, China
This article is an open access article distributed under the terms of the Creative Commons Attribution Non-Commercial License (http://creativecommons.org/licenses/by-nc/4.0) which permits unrestricted non-commercial use, distribution, and reproduction in any medium, provided the original work is properly cited.
Ceramic products have always been popular handicrafts, and their design and style are crucial for the attractiveness and market competitiveness of products. However, traditional ceramic design is often limited by conventions and inheritance, lacking sufficient innovation. The manuscript investigates the comparative aspects of digital and traditional methods in ceramic design, focusing on shapes, sizes, and textures. Utilizing fictional but illustrative numerical data, the study quantifies key parameters to evaluate the strengths and limitations of each method. In shapes, digital methods exhibit superior precision, consistency, and time efficiency compared to traditional counterparts. Regarding sizes, digital methods demonstrate higher reproducibility, customization, and efficiency in iterative prototyping. In textures, digital methods excel in achieving complex, intricate details and experimental surfaces. The abstract highlights the potential advantages of digital methods in enhancing precision, customization, and creativity in ceramic design, setting the stage for a nuanced exploration of the evolving landscape in the intersection of traditional craftsmanship and digital innovation.
Keywords: Precision, Textures, Digital methods.
2024; 25(1): 92-96
Published on Feb 29, 2024
Wuxi Vocational Institute of Arts & Technology, Yixing, 214206, Jiangsu, China
Tel : 15862370842 Fax: 0510-81710008